Tag Archives: digital

Backing up

As you may know, I am one of the four people on the planet still using Apple Aperture for processing my photos. Aperture has a feature that lets you create what the developers call a “Vault”. Essentially, it’s a locked down database of your library, including all the information such as ratings, meta data, and processing. The idea is should your main library (or libraries) become corrupted due to disk failure or similar, you can reload your library from the vault.

Which is all fine and dandy. I’ve been maintaining a vault for a couple of years. Since my library contained virtually everything I have shot since I started seriously shooting with digital, it was getting a bit unwieldy, and when it was about to outgrow its current home I made a decision to create a bunch of smaller libraries and to archive the stuff I don’t need to access regularly.

The problem was I couldn’t get Aperture to make new vaults for the new libraries. Whatever the reason for the failures, in the end I gave up and developed a new backup strategy.

Having a pair of almost matched 500GB drives available, I decided to use them as backups for the RAW original image files. I plan to copy new images from the CF cards directly to Drive A, then import them into the relevant Aperture library. At regular intervals, I will use a utility to copy new files to Drive B, which will be pretty much an identical clone of Drive A. One can then be stored off-site. As the archive grows, I’ll acquire new matched drives and continue to archive to them, leaving the old ones in storage.

Now, obviously, I want all my old files on this archive. Which means I have been patiently plodding through my old library exporting originals to Drive A. I am not bothered about saving processed images. Processing originals again is easy: I may even find I process them differently if it happens. What isn’t so easy is taking the photograph again. If you like, I am backing up the negatives for the twenty-odd thousand images I have taken since 2002 or so.

Interestingly, having this opportunity to sift through my back catalogue has made me realise one or two things. First, I’ve got some awesome shots I have forgotten about, which I really ought to revisit at some stage. Second, I keep an awful lot of rubbish images. I think I will be a good deal more choosy about shots in the future, rather than just dump everything from the card into the library.

So, what’s your backup strategy for your digital photography? Do you even have one?

Too. Much. Information.

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I remember when I got my first serious 35mm SLR camera. It was a Zenit EM, carved from solid lead, and with an instruction booklet that had maybe 24 pages in total. From the booklet you learned about loading film, about settings, about taking a picture, about winding the film on a frame, and about all the natty accessories you could get to complement your camera.

All so simple. Even the Olympus OM10 instruction booklet was slim and to the point. Let’s face it, analogue photography was a much simpler affair all round.

Not that I don’t like my digital cameras. I wouldn’t go so far as to say I love them, but I really enjoy using them to make images. The immediacy of digital, I think, has made me happier to experiment and play.

A downside, though, is modern digital cameras are just so eminently adjustable. Once you get lost in the maze of menus, it is very easy to lose track. This is my problem. I’ve owned my EOS 7D for about 18 months now, and I have it pretty much set the way I like it. I think. I can’t actually remember some of the settings I’ve adjusted, or why I adjusted them. I keep rummaging through the menus, vainly trying to recall whether it was C.FnIII-12 or C.FnI-4 where I set the noise reduction levels or AI Servo 1st/2nd img priority, and why would I want to register an AF point anyway‽

You might say I should read the manual more thoroughly. This is very true, but herein lies another problem. The manufacturer’s manual is great at explaining what Button X does when you press it, and what Custom Function Z does when you set it. It’s not at all great at explaining what Button X and Custom Function Z are actually for! It’s all very well being informed that pressing Button X makes a beep, but why and under what circumstances would I require a beep to be made by pressing the button? Take my beef about registering an AF point, mentioned earlier. Great. I know how to do that, but not why I would want to do that. I’m digressing, as I tend to when I am in full-on rant mode! Back to the theme…

All the while the camera seems to be working as I want I feel comfortable. There is a nagging doubt, though, that there is something I have neglected, or accidentally switched on when it really would be better switched off. So, the time has come for me to reset everything back to the way it was when Canon shipped it out of their factory.

Why am I apprehensive about doing this? I don’t know. Part of me worries, I think, that I might forget to switch back on a feature I use a lot. A larger part figures it is a Good Thing to start afresh occasionally. After all, I’m still discovering new things about the machine, and a reset may well let me learn something else new. 

You couldn’t say that about the Zenit or Olympus. Once you’d mastered the basics, you just got on with things. Digital cameras are a whole new species in comparison.

How many photos have ever been taken? | 1000memories

Today we take photos for granted. They are our memories of holidays and parties, of people and places. An explosion of cameras and places to share them (Facebook, twitter, instagram) means that our lives today are documented, not by an occasional oxidizing of silver halide but constantly recorded with GPS coordinates and time stamps. However it hasn’t always been like this – the oldest photograph is less than 200 years old

An interesting article, well worth the read. The bit that hits home for me is the shoebox thing. I’ve got three filing cabinet drawers of analogue photos. I am aware that even the most recent of those film negatives is getting on for 15 years old now. They will degrade, although they’re kept in the dark.

My task, currently, is to digitise my collection—though I find I am curating as I work, not bothering with images I am not interested in. Perhaps I should rethink this attitude. I offer this as a service to anyone who has important or valuable analogue images. Once a photo has been digitised, the original can be stored away safely, and the digital copy can be shared more readily.

If you have a collection of old photos you would like to digitise, but which you don’t have the time, skill or patience to do yourself, drop me a line.

Hat tip to Alex Small (@onemanrace) for pointing me to the link.