Tag Archives: scale model photography

Boulton-Paul Defiant F.Mk1 | Flickr – Photo Sharing!

I’ve been trying to get my modelling back on track. For most of the summer I have not felt like working at the bench. My mood has been one where I was likely to break something rather than be at all creative.

Anyway, I spent a few hours at the modelling bench this past week, and here’s the result. When I get a bit more organised, I will do a proper “shoot” but this gives a good impression of what I managed to put together.

Elgin Park – elginpark’s Photos

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A link to the Flickr stream of Michael Paul Smith was passed to me by my friend Paul Dunning. I’ve followed various links to Mr Smith’s Smugmug pages, and present what I think of as one of the best images.

Michael Paul Smith builds intricate sets to display his model car collection, and then takes them out into the real world to match them against real backgrounds in order to photograph them. The combination of point of view, depth of field and natural daylight makes the scenes come to life.

The models are built to 1/24th scale (one-half inch equals one foot). I have to say that the size of this scale makes believable photography that much easier, but these are still superb examples of the craft.

LNER K2 2-6-0 No 1742

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I think I’ve found my favourite model photography lens. It’s the 35mm ƒ/2.0 EF lens from Canon. On my APS-C EOS 7D, it gives a view similar to a 55mm lens.

I like it because it’s got just the right amount of angle of view, and will focus down to about 20cm. Such a focus point means I can be quite close to a model and it’ll remain sharp. The above shot was at ƒ/22 for 2 seconds.

The model is an LNER K2 2-6-0, and it’s been finished by its builder Jonathan Bushell in a dirty, hard-worked finish typical of the period around the end of World War 2. The model uses DCC, with sound, and added features like working reversing lever and brakes. Jonathan stole the first prize in the modelling competition at the annual Gauge O Guild Guildex convention this year, so congratulations to him!

Fresh from the Workshop

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For the past few weeks I have been tweeting about being in the Workshop, busy with a commissioned model for a friend. Today I completed the model, all bar a couple of tiny details, so I took some official portraits for you.

The model represents a British Railways Mark 1 BSK coach originally built in 1955 at Wolverton Works to Diagram 181, in the livery it carried in the early 1980s. The model is built from a Just Like The Real Thing kit at 7mm:1ft scale (1/43rd) to ScaleSeven standards. The client will be applying lettering and final stage weathering.

I hope to be delivering the model to the client soon, and I’ll arrange with him to take some new photos once he’s completed the lettering and weathering.

UPDATE 7/6/11: The client called today, having seen the photos here. He’s really very chuffed with the finished model. Very gratifying.

Dornier Do17Z | Flickr – Photo Sharing!

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I built this model over a decade ago. It represents a plane that was shot down near Maidstone, and was intended for a local museum display that never really got anywhere. This is the aircraft type that the RAF Museum hopes to recover from the Goodwin Sands.

The RAF Museum’s web site has a video of the 2010 underwater survey, which is well worth watching. It shows the remarkable state of preservation of the wreck.

Gloster Gladiator I | Flickr – Photo Sharing!

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I spent an hour or two playing about with posing a couple of my aircraft models on some grass mat. I used the Canon PowerShot G9 for simplicity, though I did set it to manual, smallest aperture and macro.

Sadly, the mat is a quite fluorescent under light in the workshop, and despite setting the camera’s white balance to match it all looked too bright. I wasted a bit of time faffing in Aperture to try and balance things, but ended up converting to greyscale. To get a bit more of a period feel, I could add some grain, but I’m reasonably happy with the results.

Blade Runner: Hades Landscape | Douglas Trumbull – Immersive Media and Visual Effects

Doug and his Entertainment Effects Group team created thousands of acid-etched brass miniatures lit from below with hundreds of bundles of fiber-optic lights, shot in forced-perspective through layers of smoke to create layers of light refraction, creating depth.

There’s not much I can say, except maybe “awesome”.